Six capitals and their corresponding columns from the palace's lagoon-front arcade from the fourteenth century are kept in Room I. Thus, they are a part of the building's first ornamental sculpture endeavour. The sculptures on this side of the Palace provide an encyclopaedic portrayal of the universe, the world, the diverse species that inhabit it, and the astral influences that shape and lead their fate and behaviour. The capitals represent historical figures, allegorical figures, faces of different races, animals, and plants.

Room II in the Doge's Palace Museum is a captivating space that immerses visitors in the opulence and grandeur of Venetian history. This room, known as Sala del Collegio, is adorned with magnificent frescoes and exquisite decorations. The walls depict scenes of Venice's maritime power and conquests, showcasing the city's glorious past. The ceiling boasts intricate paintings in Doge's Palace, showcasing mythological and allegorical figures. The room also features impressive marble columns, elegant furnishings, and a magnificent dais where the Doge would sit during official ceremonies.

In Room III of the Doge's Palace Museum, visitors can behold three capitals adorned with columns. Two of these capitals date back to the 14th century, while the third hails from the 15th century. Resting upon one of these capitals is a statue of the archangel Michael, depicted with a drawn sword. This capital not only provided support for the cornice but also served as the base for the sculpture group featuring Adam and Eve at the corner of the palace. The presence of these capitals and the striking statue of archangel Michael add to the historical and artistic significance of Room III, captivating visitors with their intricate craftsmanship and symbolic representations.

Room IV in the Doge's Palace Museum showcases not only two shafts of columns from the arcade but also a remarkable wall constructed from massive, unpolished rock fragments. This wall predates the current palace and holds immense historical value as it offers valuable insights into the nature and original position of the ancient structure. The rough and imposing appearance of the rock fragments creates a striking contrast within the room, highlighting the evolution and transformation of the palace over time. Room IV serves as a fascinating testament to the architectural history of Doge's Palace, enabling visitors to appreciate the ancient edifice and its significance within the Venetian landscape.

A column and foliated capital from the top loggia on the Piazzetta side, which corresponds to the circular paintings called the tondo. The tondo consists of paintings with Venice in the shape of Justice on the front, placed against the left-hand wall of Room V. The room contains three shafts of columns from the arcade making it both architecturally and aesthetically pleasing. Stonework fragments from the top terrace's decoration, which has capitals, ogival arches, and elaborately intertwined quatrefoils, remain present.

Room VI in the Doge's Palace Museum is adorned with an impressive collection of 26 capitals. These capitals are positioned throughout the room, adding to its architectural charm and historical significance. The first floor of the room showcases historic loggias with intricately carved arches, crafted by skilled masons in the 14th and 15th centuries. Enhancing the overall ambiance of the room are stone fragments from the facade and the pinnacles of the coping. The combination of the capitals, loggias, and stone fragments creates a captivating atmosphere, allowing visitors to appreciate the craftsmanship and architectural heritage of the Doge's Palace.